Hey Dirty Fingers, I have to agree with SpidaWeb, while I loved the B200s (it's just not there, so transparent and perfect for ADA preamps), the TS100 while beautifully transparent (hey they spruke them to run studio monitors) just has a little something that cheers my sole also. The reviews you read saying they are under powered are IMO misplaced, as I said in the PM, I recon they just don't understand their gain structure. I did an open air gig a few months ago and, while I had to turn it up a bit more, I still didn't max it out (again just mics on kit/vox). However, they are heavy
, I have mine in its own 2 RU rack (which I call "the brick" LoL).
My plan (thought bubble) is to replace the 4 12AX7 input tubes with Mullard long plates and maybe go with a Mullard 12AU7s for the 2 phase splitters (it ships with 12AX7s for phase splitter, not the best tube for that job, you want current not gain). I quite like the GT6l6s that are in it (x 4, so shiny
) but maybe some Mullard EL34s would also be a good option....
The Carvin Oz importer is Pro Audio here in Canberra (Ivan, who I've known for years) so I can probably help you get a decent deal on a new one if you decide to go that way.