The mix was really simple, I think he used a Soundcraft Spirit desk and maybe a delay for Vox and spx 90 rev for kit ?? (I'll ask and see if he remembers). Very good audio engineer my mate Rich Muecke... Probably makes it sound easy (which it was LOL).
I'm a bit bemused by the noise issue stuff. I never had any issues with the MP1. Yeah it was a bit "hot" but easy to control (but remember I grew up with 1970's Marshalls squealing like banshees at full crank LOL). I suspect it's gain structure related, not only is that rig relatively straight forward, the gain structure was solid (much easier when using small mixer and aux/FX sends in my experience). But also I'm not trying to combine tubes (which have a much better/wider dynamic range than transistors) into a SS send return loop. The MP1 is the main (only) tone and I just put/mix some FXs on it and feed it to the cabs. I'd describe that patch I used as upper medium high gain in MP1 terms.
I thought about (the noise thing) is it because MP1's are getting older... Well MikeBs (that MP1, and a very early one) is still going strong and worked a great at the gig last Saturday (not that he wails quite like me, but definitely no noise issues, and we were cranked
), he did bust a D string though LOL, hey good time for speeches LOL.
I think the common thread (my thought bubble) is you get issues combining MP1 in SS loops, because the tubes have such a big dynamic range and the SS circuits aren't designed to cope so you get more noise.
If I were you I'd build a 6 RU rack MP1, MP13TM, GT5 (but FX only) or a better decent multi FX device, 1RU line mixer, 1RU Carvin DCM200 (or the one you were scoping (but adds colour, DCM200 wont add colour)). Or even better MP2 and loose MP1/ MP13TM which gives another RU for another FX gadget, mix one FX in stereo with MP2 loop and use 2 sends/returns on 1 RU line mixer for the other. But that's me