ADA Depot Too - A Forum To Support Users of ADA Amplification Gear

Please login or register.

Login with username, password and session length
Advanced search  


Board added for "ADA Cab Sims" in Other ADA Gear (coz El asked for it LOL)

Pages: [1]   Go Down

Author Topic: It's time to have "The Talk" (about gain stages)  (Read 972 times)

0 Members and 1 Guest are viewing this topic.

Chip Roberts

  • Full Member
  • ***
  • Offline Offline
  • Posts: 107
  • Anything worth doing is worth overdoing.
    • Chip Roberts Official

Alright guys, thrill me!  I know nothing about this.  I guess the question behind my question is: if the manual for the MP1 states that the output should be set as low as possible, what does turning it up and down do?  When I crank it, just as an experiment, I get a horribly fizzy, yet satisfyingly saturated tone.  Normally I set the output on the MP1 between 6:30 and 9 o'clock, then tweak the actual output with the Midiverb. 

I know some of you have a doctorate in gain staging, so educate me! 
Rack of Death:
MP1 v1.38/Alesis Midiverb II/Marshall Valvestate 8004

Rack of Back:
MP1 v2.01/Yamaha SPX90II/MosValve 1160

Boss TU2, Mooer Pitchbox, Boss BF2, Boss CE5, MXR EVH Phase 90, Behringer HB01 Wah/Digitech Control 7/

Custom 2X12 with WGS Retro 30/HM75

Gibson Custom Shop Flying V - Dimarzio X2Ns
Gibson Les Paul Standard - Dimarzio Crunch Lab/Tone Zone
Gibson Custom Shop Explorer - Dimarzio MegaDrive/Air Norton
CC Clarke Superstrat - Dimarzio Evolution
No-Name Superstrat - Dimarzio Steve's Special/HS4/HS4
Ovation Matrix
Ibanez AC130
Washburn Lyon LB21

Other Rack Gear:
Peavey TG Raxx
Digitech GSP21 Legend

Other Pedals:
Morley Bad Horsie 2
Boss NS2
Digitech Whammy

Carvin X100B
Laney AOR
Marshall JCM800
Marshall Jubilee
ADA Microtube 100
Roland GP8
Rocktron Intellifex Blackface
Lee Jackson SP1000


  • Hero Member
  • *****
  • Offline Offline
  • Posts: 629
  • Methodical killers do good jobs!

Uhm...I think a good starting point would be to know your settings...

I mean OD1, OD2, Master, EQ, Presence...

I found all these parameters have a strong interaction and all of them are involved in shaping the final sound/tone.
One of them could make another saturate making some stage/stages clip and add unwanted noise.
Then the Output Level sets the final volume (not the gain) of the signal you'll pass to your effects unit and/or power amp: if that signal is too high or too saturated, it will probably saturate inputs of the effects unit.

In my opinion, the best is:

1) shape your sound with ods, master and eq
2) set the output level

with any effects unit in bypass (directly to power amp).

Once you're satisfied, turn effects on and fine tune Input and Output levels of the unit, before power amp.

Among my patches, I've one with some high gain settings and that's my main reference:

OD1: 7.5
OD2: 7.5
Master: 5.5
Bass: 9
Mid: 6
High: 9
Presence: 12

Before the SS Ultra+ mod, with these settings I was used to keep Output Level pot at around 11-12 'o clock and then fine tune the output with the G Major (and its Input level as well), before the power amp, to have a good thick sound.

After mods, I found that I can decrease the Output Level on MP-1...since I got the same output at around 10 'o clock (I set it at little less than 11 'o clock now).
In any case, if you want to have a THICK signal coming from MP-1 outs, you've to set Output Level above 9 'o clock IMHO.
Otherwise the signal from MP-1 would be too "weak" and poor of frequencies/overtones...something you cannot recover by setting Input and Output levels on effects units.

About settings, since now the overall noise level has been strongly decreased by mods (there's just a little bit of swish with very high gain settings...that's normal...but no hum or buzz anymore), another thing I discovered is that I set Presence too high (12) and this added some "fizzy" noise to other noise.
Now that other noise is gone, I found that the "fizzy" noise comes from EQ (Presence, Highs) if I set OD1 and OD2 to high gain levels: if I decrease Presence to 10 the noise is almost gone...even if I set Output Level at 1-2 'o clock.
Then, if I reduce Highs a little...the "fizzy" noise goes lost forever.

I'm going to reshape the eq of my patches where OD1 and OD2 are set over 6.

In this way, I can get rid of noise...reshape my tone...and fine tune Output Level before the G Major.
Once there, I fine tune Input and Output levels...and the internal G Maj noise gate will do its job in easier way when I go higher gain on MP-1.

It works fine for me.
« Last Edit: Time Format by Iperfungus »
On the run again!

Rack stuff from Hell:

ADA MP-1 (modified by MJMP)->TC Electronic G Major->Marshall Valvestate 8008 power amp

Marshall JMP1->Alesis Quadraverb GT->Advance Tube Technologies TA '70 tube power amp

Zoom 9150->Marshall Valvestate 8004 power amp
Zoom 8050 MIDI Controller
Zoom FP01 Expression pedal

Behringer FCB1010 MIDI controller

Blackstar HTV 212 stereo cabinet with 70/80 Celestion speakers


Rivera Pubster 25
Blackstar Fly 3 amp + external speaker

Stomps, stomps, stomps...and stomps (Bogner rules!):

TC Helix phaser, Xotic RC Booster, TC Sentry noise gate, Bogner Ecstasy Blue, Bogner Ecstasy Red, Mad Professor Royal Blue Overdrive, Sonic Research Turbo Tuner, TC Flashback delay


2018 Arrogantia Pandora Vendetta 24 HH Trem-1987 PRS Custom-1988 Fender Strat Plus-2016 Custom assembled Fender Strat-2013 Gibson SG Standard-1995 Gibson Les Paul Studio-1991 MIJ Ibanez RG570FM TB-2016 MIJ Ibanez RG655M SPM-2002 Bruno Traverso Custom "Tommy" Silky-2017 Kramer Baretta Special-2010 Simon & Patrick Woodland CW acoustic


  • Superhero Member
  • ******
  • Offline Offline
  • Posts: 1642
    • Rabid Bitch of the North band facebook

The simplest answer to this question is the output level controls the final volume of your MP1 into either your power amp or an FX unit in which case you set the volume at a setting that best accommodates the device it outputs to.

So adjust it were it's a decent amount, but healthily not near a point where it will clip going into either amp or FX unit.

And when I say clip, I mean clip from the amp/fx units input.

As Iperfungus:

1) shape your sound with ods, master and eq
2) set the output level

Turning this final output has no effect on the sound other than volume, it doesn't affect your tone.  It's simply there to amplify the tone generated by the other controls mentioned.

I have my output about 3-4 on one MP1 with MDRT in it, then on the non modded version the output is at around half way 5-6 because it's not as loud as the MDRT modded version.  I have my 3TM at about 3-4 also.

I have ever read the manual of the MP1, not fully anyways.
« Last Edit: Time Format by rabidgerry »
"whadda ya want? we want Heavy Metal"

Guitars:1986 Westone Dimension IV, 1989 Korean Squier Fat Strat Silver Series, 1998 Korean Squier Fat Strat, MIM Fender Fat Strat - FR, Squier Stagemaster Deluxe - Thru Neck x 2, Squier Stagemaster 22 Fret - 1st Gen, 1999 Squier Showmaster - Anniversary Edition, Squier Showmaster, Tokai FV40 Flying V

Effects:  Ada Mp1, Peavey Rockmaster, Boss GT5 * Amps:   Rocktron Velocity 300 - Harley Benton GPA400
Cabs: 4 x Bugera 2 x 12"
Pages: [1]   Go Up