ADA Preamps > Original MP-1

ADA Volumes, how do you set yours?

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Dna^Yay:
So i have just been dabbling around with my MP-1 and am just trying to figure out the best way to have my volume`s. I have heard that pushing the power amp to get tube distortion is favoured over pre amp tube distortion, so should i keep my master gains low, output level knob around 9 oclock or even 8 and then just crank up the power amp volume, or do i whack the volume to 1 or 0.7 and then just dime out the output level ? 

Granted if i changed to another patch that did not have low gain i would probably jump out of my skin with the sudden jump in volume.I am currently running my MP1 through an ENGL 60 watt power amp

Is there a general rule of thumb on a certain level to run the MP-1? As it seems when i try out some tones i have patched in for the ADA it can get stupidly loud e.g

DT
od 1/17
gain 8
bass 2
mid 0
treb -2
pres 2

rnolan:
Hey Dna^Yay, have a read of the manual (http://adadepot.com/index.php?topic=111.0), there's a pretty good description on how to set up patches and set your OD levels etc.
ADA preamps are designed to be used with clean transparent power amps, all the tone and colour is done in the preamp.

(I have heard that pushing the power amp to get tube distortion is favoured over pre amp tube distortion), I think this kind of strategy comes from 60's 70's amp days where guitarist chased distortion from wherever they could get it, Blackmore used to kick a hole in his speakers to get some speaker distortion as well.  While you can chase some poweramp distortion/colour if you want to, it's generally not how to run a MP1/2.

Typically, I run my power amp on 3/4 (give or take depending on venue/stage (maybe 1/2 for home/bedroom)), and control the overall volume with the MP1 output knob (set this with you loudest patch e.g. over the top killer lead solo).  Set individual patch volumes with their master vol so you get the right volume change between patches (e.g. rhythm, lead).  When creating patches, run them up at stage level first, then turn the output vol down for home/bedroom levels.  MP1s are designed for stage use so they can get very loud if required  >:D
Cheers Richard

BrokeDownSouth:
DNA,

What kind of tone are you going for?   Output tube overdrive is more of a vintage Blues type of sound, If you'll allow me to generalize. That's the tone I go for when I pick up my guitar, but I use amps similar to Fender blackface and tweed non-master volume amps.  Sounds pretty clean compared to more modern amps with cascaded gain stages in their preamps.

DrNewcenstein:
Something in the back of my head never did sit right with that whole "poweramp distortion" thing, now I know why.

What about "speaker breakup"? Should one strive for that in these modern times (assuming you want nice cleans), or should one avoid it?
My gut says avoid it and go for a cleaner, articulate speaker tone like I get form my Carvin 2x12.

As for seting the mp-1, I typically set the volume according to the cleans, since it's easy to outrun them with the driven tones (from crunch to wail). Generaly I get too much compression for my tastes if the cleans are too loud in the Gains (SS voice), and I can't really get "good" clean tones with the Clean Tube voice.

As well, since the OD1 clip light comes on if I set it to anything above 4.5, I don't run it that high. OD2 can go to max for all I care, and I get plenty of distortion even for Thrash at about 7 on that.

Can't recall what my knobs are set to - not in front of it ATM. IIRC the Out is higher than the In.

Dante:
I subscribe to the 'clean speaker' theory. I don't want my speakers breaking up at all.That's why I run a 50w amp into a speaker rated at 300w.

Nowadays though, I'm not bringing the amp or the speakers, just running directly into the mixer. Can't get any cleaner than that.

Oh, and I always start with the clean tones first too. That's the best attack plan

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